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Transgressive

Blight

by The Antlers

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 24-bit/96kHz.

      £9 GBP  or more

     

  • Record/Vinyl + Digital Album

    The new album Blight. Coming Oct 10th.

    Tracklist

    Consider the Source
    Pour
    Carnage
    Blight
    Something in the Air
    Deactivate
    Calamity
    A Great Flood
    They Lost All of Us

    Includes unlimited streaming of Blight via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 3 days
    Purchasable with gift card

      $25 USD or more 

     

  • Compact Disc (CD) + Digital Album

    The new album Blight, coming Oct 10th.

    Tracklist:

    Consider the Source
    Pour
    Carnage
    Blight
    Something in the Air
    Deactivate
    Calamity
    A Great Flood
    They Lost All of Us

    Includes unlimited streaming of Blight via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 3 days
    Purchasable with gift card

      $15 USD or more 

     

  • Record/Vinyl + Digital Album

    Deluxe double vinyl includes the new album "Blight," as well as the "Discover New Colors" Bonus LP of singles released from 2022-2023.

    Includes unlimited streaming of Blight via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/96kHz.
    ships out within 3 days
    Purchasable with gift card

      $35 USD or more 

     

1.
I don’t think about what I can’t see, it don’t count if it ain’t staring at me. Little choices I cannot recall, get it quick or not at all. Every bargain has a hidden cost: what was saved? what was lost? Forty color-ways and free returns: Where’s it made? What’d they earn? Is it enough to add to cart with buyer’s remorse? Well if you don’t know where to start, consider the source. What becomes of what I throw away? Broken cord, takeout tray, leaky battery and shattered screen, spilling ink I can’t clean. Is it too much to be undone, too late to change course? Before condemning anyone, Consider the source. I set the table for an easy meal, I don’t mind what I can’t feel: Tired turkey in a crowded cage, he can’t peck, he can’t rage. Little choices and the way they spread, Who must starve so we’d be fed? I don’t think about what I can’t see, but now that bird won’t stop staring at me. I tap my heart before I dine, but quickly divorce from all your agony down the line, and all I endorse. Is it enough to add to cart with buyer’s remorse? Well if you don’t know where to start, consider the source.
2.
Pour 05:45
Solvents and paint, poured down the drain. There were complaints, only forty years late. Peculiar taste of acetates, migraine headaches, growing cellular rates. What we pour in the soil, whether poison or oil will eventually spoil. The solvents spilled down Cedar Hill, feeding a well and a weeping willow. That man next door lived here before. But he knew the score when his tree hit the floor. What we put in the ground, whether planted or plowed, will eventually be found, it will come back around. What we pour in the soil, whether poison or oil, will eventually spoil.
3.
Carnage 04:41 video
Off the side of the road, branches trimmed and grasses mowed, there is a snake with his head disposed. Toad hops out of the briar and underneath my spinning tire, there he remains emulsifier. Accidental damage, casually maimed. Incidental carnage, collateral pain. Bird smacks into the glass, shaking, heaving heavy gasps, settling down, she heaves her last. Fawn gets caught in my fence, trying to clear but slams against, with every leap a bloodied mess. Accidental damage, casually maimed. Incidental carnage, collateral pain.
4.
Blight 05:10
Quickly, I need it! Shipped in a day, oceans away. I’m willing to pay to get the best that I can, the best that I can get. I’ve got to feed it! High in demand, short in supply. I’m not a bad guy, I do the best that I can, the best that I can do. Caterpillars hatching, swinging on thread with fanatical spread, they need to be fed, to get the most that they can, the most that they can get. Defoliating, chawed up trees with skeletal leaves, a many-legged disease. They do the best that they can the best that they can do. Sleeping and sated, nesting on the bark, evolving in the dark, prepared to disembark.
5.
O, keep your window closed today, O, cover up your nose today, O, do not stand so near today, O, there’s something is in the air today. O, there’s something in the air today, O, best to take the stairs today, O, be sure to charge your phone today, O, maybe work from home today. O, there’s something in the air today, O, thank god I wasn’t there today.
6.
Deactivate 07:22
While I was scrolling, shocked and bored, I came upon the news of your departure from this ailing place, from which you chose ‘deactivate’, While out my door and down the street: deflated bodies, empty meat, a running dog on trailing leash was free to roam but not released From gravity and malady and sheer corporeality, anatomy in disrepair catastrophe in open-air. They’re telling me: “ascend the stair: eternity in betaware.” While you’re awaiting your result allow me to present an ultimatum: either save this place or opt out and deactivate before your body’s obsolete abandon ship, reserve your seat. But if you transfer incomplete, do not refresh, do not delete Your treasury of memory, your tendency for reverie. Diffuse your being everywhere: a remedy beyond compare. Be not afraid, do not be scared to swiftly cross that thoroughfare O take my hand, I’ll take you there: eternity in betaware.
7.
Calamity 03:30
Who will look after what we leave behind? Well-hidden waste, out of sight, out of mind. Mountains of metals and slime, hard to find by design. Rotting garden where crud and convenience combine. Over calamity we climb, sure we’ll get this right next time. Who will look after what we leave behind? Still-burning barrier of smoldering pine, Cover-less creatures confined, climbing vines, running blind, seeking shelter and safety in sudden decline. Over calamity we climb, sure we’ll get this right next time.
8.
Of this I’m uncertain: will we be forgiven should there come a great flood to drown out our decisions? We were only children, silly what we did then: scooping up the tadpoles, left them on the pavement. Faultless in our innocence, charming in our ignorance, pissing in the reservoir, didn’t know the difference. Of this, I’m uncertain: will we be forgiven should there come a great flood to drown out our decisions?
9.

credits

released October 10, 2025

Written between 2021 - 2024 by Peter Silberman and Michael Lerner Produced and engineered by Peter Silberman
Recorded at Field’s Edge in Ulster County, New York
With additional engineering by Pete Caigan at Utopia Studios in Bearsville, NY
Mixed by Nicholas Principe at People Teeth in Kingston, NY
Mastered by Gus Elg at Sky Onion in Portland, OR

Vocals, piano, guitar, bass and synthesizers by Peter Silberman
Drums by Michael Lerner

All songs published Distressor Songs (BMI), Zip & Fly (ASCAP), administered by Kobalt Music

Artwork and design by Ryan Hover
Management by Brian Hultgren

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